V-Ray 3.60.03 and Phoenix FD 3.04.00 for 3ds Max 2013-2018

V-Ray 3.60.03 and Phoenix FD 3.04.00 for 3ds Max 2013-2018

CHOOSE AND DOWNLOAD

V-Ray 3 for 3ds Max is a complete lighting and shading solution that can be flawlessly integrated in every 3D artist and designer’s workflow. The flagship rendering software has set the industry standard for speed, reliability, ease of use and render quality.

 

BLUR: ANIMATION & FX REEL
Award-winning Blur Studio showcases their amazing work on revered franchises such as Assassin’s Creed, Batman, Halo, League of Legends and the latest Doom. Even more eyes are on Blur since the release of co-founder Tim Miller’s passion project and directorial debut – Deadpool.

VR: CHURCH ON THE WATER
Architectural visualization artist Aldo Garcia explores architect Tadao Ando’s famous Church on the Water in his latest passion project. Aldo has rendered a cinematic journey, a beautiful animation through interior and exterior spaces that is topped only by seeing the space in virtual reality.

SMITE: TO HELL AND BACK
RealtimeUK launched a new SMITE: To Hell and Back trailer for Hi-Rez Studios, just in time for the 2016 SMITE World Championships. The action-packed cinematic is filled epic battles between the games most iconic characters. Be sure to watch the three part Behind the Scenes series to see how they tackled animation, lighting, and effects.

HIGHLY-OPTIMIZED CPU RENDERING
Render high-quality, high-resolution images and animations with V-Ray’s adaptive ray tracing technology. V-Ray uses physically-correct methods to calculate photoreal lighting, materials, and cameras. V-Ray is optimized to use all CPU cores across multiple machines for the fastest renders possible.

INCREDIBLY FAST GPU RENDERING
Fine tune the look of your scenes in real time with the power of GPUs. Build materials, dial in cameras, and adjust lights interactively in the viewport. Switch to Production Mode when you’re ready to render final images.

Variance-based adaptive sampler (VBAS)

Better sampling of dark areas and faster sampling of overbright areas
More consistent noise detection
Final image quality is less dependent on materials and lights settings
Improved alpha channel sampling – especially in scenes with depth of field and motion blur
Works in bucket and progressive rendering modes

Home Page – https://www.chaosgroup.com/

 

nitroflare-banner

Vray36Max2013.rar
Vray36Max2014.rar
Vray36Max2015.rar
Vray36Max2016.rar
Vray36Max2017.rar
Vray36Max2018.rar

Phoenix_FD_3.04.00_Max2013.rar
Phoenix_FD_3.04.00_Max2014.rar
Phoenix_FD_3.04.00_Max2015.rar
Phoenix_FD_3.04.00_Max2016.rar
Phoenix_FD_3.04.00_Max2017.rar
Phoenix_FD_3.04.00_Max2018.rar

 

Tribe Archipelago – Loren X Chris LUTs (Win/Mac)

Tribe Archipelago – Loren X Chris LUTs (Win/Mac)
Compatible with Any software that accepts 3D LUTs
http://tribearchipelago.com/product/lxc/

We’ve crafted these presets to provide subtle greens, rich skin tones, and above all a consistent variety of looks to help improve your work as a whole. Rather than overpowering your photos with saturation and contrast, these presets give your photos room to breathe.

 

LXC 1: Soft tones and pale greens for an overall romantic look. A slight bump in pinks gives your images that whimsical feel. This preset works perfectly for most natural locations (forest, beach, desert, etc.). Though it’s not recommended for city/urban photography, it can still provide good results.

LXC 2:  Rich browns and skin tones contrasting with subtle greens. A push of warmth in the shadows provides for a warm, woodsy look. This preset is highly recommended for forest portraiture, but it also works really well for most other applications.

LXC 3: Cool tones while maintaining rich warmer colors. An overall desaturated look with a pop in skin tones. This preset works beautifully in a variety of situations. Best to experiment and find how it works for you!

LXC 4: Warm and fuzzy. Rich tones throughout the spectrum with a heavy push of warmth in the shadows. This preset works beautifully in a variety of situations. Explore and experiment to make it your own.

 

nitroflare-banner

Tribe Archipelago – Ryan Longnecker LUTs (Win/Mac)

Tribe archipelago – Ryan Longnecker LUTs (Win/Mac)
Compatible with Any software that accepts 3D LUTs
http://tribearchipelago.com/product/ryanlongnecker/

 

My presets are meant to focus on the color scheme that draws me in the most, and that which I’ve recently learned is scientifically proven to be one of the most pleasing to the human eye: amber and blue. I live near the ocean, and so not only do we have gorgeous blues and water, when the mist hits against the cliffs it spits up mist that mixes with sunset light and provides a golden glow that’s not really replicable through post processing. I’ve always tended towards a moodier edit rather than a really clean one, because I believe you should edit how an image feels and not how it looks. Among these five color presets, and the one B&W, you should be able to find one that works for you in a variety of scenarios and lighting.

I’ve never cared much about trying to emulate film, so you’ll see a lot more contrast in my presets and less interest in the grain unless it pertains to the mood of the edit (like 03 and 05 B&W). Because there are so few occasions when I’m shooting a scene in which everything feels neutral, I don’t try to get the histogram perfect – so these will work really well in both under and overexposed images. But if you want to really see them shine, go shoot during golden hour near some water and you’ll see what I’m talking about.

 

nitroflare-banner

Tribe Archipelago Don + Helen LUTs (Win/Mac)

 Tribe Archipelago Don + Helen LUTs (Win/Mac) | 408 KB
Compatible with Any software that accepts 3D LUTs
http://tribearchipelago.com/product/don-helen/

 

For Adobe Lightroom 6 (CC), 5 & 4. and ACR Presets for Photoshop CC & CS6. Based on the Adobe Standard Calibration profile and designed to work with both JPG & RAW files.  Set contains Seven Presets in total. (Five Color & Two B&W).

The fresh breeze of Tenerife Sea, the breathtaking sunsets on top of Gran Canaria, the endless white beach of Fuerteventura, the rugged landscape and fiery volcanoes of Lanzarote, the calming beauty of La Palma, the peaceful folks of La Gomera, and the rich underwater life in El Hierro… these are some of the things that enrich our photography, the way we see, and the way we feel. Don + Helen Presets are created out of our experience, our travels, and our adventures in the archipelago and other countries. They’re made especially for wedding, portrait, street, travel, landscape, and fashion photographers who are looking for that gorgeous, moody image.

nitroflare-banner

LightWave Film LUT Master Pack 3.0 (Win/Mac)

LightWave Film LUT Master Pack 3.0 (Win/Mac) | 101 mb
 The Most Powerful Emulations of the Greatest Film Stocks of all Time.

 

More Than just another LUT Pack.
From a complete overhaul of color science, to dynamic range enhancement; this is a complete color science standard developed from the most Legendary Film stocks that inspired Generations of Film Makers. With new forms of features and processes new to the format of 3D LUTs, this an advancement in how we see LUTs all together.

Revolutionary
With features like dynamic color response, dynamic contrast handling, built in OLPF emulation, and dynamic range enhancement, this is a revolution in film emulation. Take your footage to a whole new level of quality with a color science overhaul. We built in over 30 processes new to the 3D LUT format in order to create something far more than a preset or color look. We even developed them to work with rec709 footage for the easiest and fastest workflows

The Greats of every ERA
We’ve hand selected the 15 greatest film stocks of all time, and from all era’s. From 2011’s modern Kodak Vision3 family, to the Legendary Eastman Kodak Color II 100T 5247, we’re putting the power of the world’s most loved film stocks in your hands.

Home Page – http://www.lightwavecinema.us/products

 

nitroflare-banner

LightWave Skintone LUT Pack (Win/Mac)

LightWave Skintone LUT Pack (Win/Mac) | 57 MB
The Most Advanced Skin Tone Control System
We designed the LightWave Skintone LUT pack to help you get perfect skin tones in just seconds. Our Skintone LUT pack provides over 500,000 possible skin tones. With perfect control, affecting only skin tones in all footage and video, you can achieve any organic skin tone in just seconds.

 

Beautiful Skin Every Time
Each LUT in our Skintone LUT pack is designed to handle every skin tone dynamically, always keeping your skin with in the boundary of organic tones, while giving you the power to perfectly adjust your skin tone anywhere with in the organic skin tone spectrum

 

Amazing Possiblities
By simply adjusting the opacity of our LUTs after applying them, you can unlock up to 500,000 shades and simply move your skin tones around with faders and sliders in any software supporting 3D LUTs.

 

Lightning Fast
Fits into every professional workflow
Take perfect control of your skin tones in seconds right inside Adobe Premiere, After Effects, Davinci Resolve, or Photoshop in seconds. By fading the opacity of any of skin tone LUTs, you can get perfect skin tones in any scene, with any mix of actors or models in just seconds.

 

Home Page – http://www.lightwavecinema.us/products-lightwave-skintone-lut-pack

 

nitroflare-banner

Pixelate It v2 for After Effects

Pixelate It v2 for After Effects  | 20 KB

Pixelate It is your all in one solution for quickly and easily creating pixel art animations in After Effects.

 

Pixelate It is your all in one solution for quickly and easily pixelating your After Effects animations with a single button click. With the new Pixelate It v2.0, you get the awesome new Deflicker tool that prevents those pesky dancing pixels for perfect looking pixel animations!  With it’s dockable UI, you save time pixelating any selected layers all at once in your comp, or comp wide as an Adjustment Layer with just one click!  Pixelate It makes pixelating your animations super easy!  Choose your pixel size, Pixel Mode, and color mode and then simply click the Pixelate It button.  Pixel Perfect Mode ensures you have perfectly square pixels no matter your comp size!  Making your work stand out was never easier!

 

All-New Deflicker Tool!
This is a huge new feature that helps to prevent any dancing pixels due to position movement.  Now your pixel animations will look and move just like an 8-bit video game!
Pixelate ALL OF THE THINGS!
Easily pixelate your scene by clicking the Pixelate It button!  Add Deflicker to all layers or selected layers by clicking the Add Deflicker button!

 

Pixel Perfect Mode
Achieving perfectly square pixels used to be a manual process, but with Pixelate It it’s automatic!  Choose your pixel block size for pixel perfect renders that stay perfectly square regardless of your composition size.  Turn off Pixel Perfect Mode for more fine tuned pixel sizes (ie. 3.5px X 3.5 px).
Keeping It Old School
Pixelate It makes applying old school 8 bit/16 bit looks to your layers super easy!  You can adjust Pixel Size, Color Mode and use the Deflicker Tool for custom old school video game animations.

 

Home Page –https://www.eyedesyn.com/product/pixelate-it/

 

nitroflare-banner

Story Boarding 1.5 for After Effects

Story Boarding 1.5 for After Effects | 1.4 MB

 

Import any screenplay right into After Effects. Use it as a context tool while working on your scene, or to create an animated storyboard, previz, animatic, and much more depending on your project pipeline.

 

Story Boarding is an After Effects script that allows Adobe Story or Final Draft (or from any scriptwriting software exporting to the fdx format) screenplays to be imported inside Adobe After Effects.

Once imported, you can use your screenplay as a context tool while working on your scene, or you can use it to create a rough cut for you and start building an animatic version of it. Better: you can use it both ways.

 

Compatibility: After Effects CS5-CC

Home Page – http://aescripts.com/story-boarding/

 

nitroflare-banner

Red Giant Trapcode Suite 13.1.1 (x64) WIN

Red Giant Trapcode Suite 13.1.1 (x64) | 493 MB

Red Giant Trapcode Suite 13 – The industry-standard package for motion graphics in After Effects. Red Giant Trapcode Suite is a set of 11 tools for 3D motion graphics and visual effects.

 

Trapcode Suite 13 includes 11 tools:

  • Trapcode Particular 2.5 (NEW)
  • Trapcode Tao (NEW)
  • Trapcode Form 2
  • Trapcode Mir 2 (NEW)
  • Trapcode Shine 2 (NEW)
  • Trapcode Lux
  • Trapcode 3D Stroke
  • Trapcode Echospace
  • Trapcode Starglow
  • Trapcode Sound Keys
  • Trapcode Horizon

Compatibility: Adobe After Effects CS6, CC, CC 2014, CC 2015, CC 2015.3. CC 2017

Home Page – https://www.redgiant.com/products/trapcode-suite/

 

nitroflare-banner

Thinkbox KrakatoaMX 2.7.0 for Max 2017 – 2018

Thinkbox KrakatoaMX 2.7.0 for Max 2017 – 2018 | 32 MB

 

An easy to use Particle Simulator for 3ds Max designed to simplify and accelerate the creation of high volume particle clouds driven by Velocity Fields (originally available as Stoke MX 1.0). Supported Velocity Field sources include FumeFX simulations and Stoke Velocity Fields, other particle animations fromParticle Flow, Thinking Particles or external particle file sequences in PRT or RealFlow BIN formats, 3ds Max Force SpaceWarps etc.

 

A set for poweful Field Manipulation tools enabling the creation and simulation of new Fields including Velocity Fields, the loading and saving of Field data using industry standard formats, the editing of existing fields and the integration of Field data with 3ds Max sub-systems like Particle Flow, MassFX, mCloth, Hair&Fur, Materials, most renderers, and more.
The complete Genome toolset including added support for Stoke Field-related query operations, as well as new Loop nodes for iterative operations over vertices and faces.

Where Does It Fit In The Thinkbox Product Family?
Stoke MX is based on Krakatoa, Magma and Ember core technologies.
The Stoke Particle Simulator is a valid Krakatoa MX rendering particle source.
The Stoke Particle Simulator supports all Krakatoa MX PRT objects as “Distribution Sources” to seed dynamic particles based on other particles.
The Stoke Particle Simulator accepts Krakatoa Magma and Krakatoa Delete modifiers for channel post-processing and particle culling.
The Stoke Particle Simulator produces PRT file sequences that can be loaded with Krakatoa PRT Loaders.
The Stoke Particle Simulator particles can be meshed directly using the FROST particle mesher (v1.3.5 or higher).
All Stoke Fields can be sampled to particles and rendered in Krakatoa or meshed in FROST.

Where Does It Fit Inside 3ds Max?
The Stoke Particle Simulator is a much faster alternative to FumeFX particle advection using Particle Flow and FumeFX Follow.
The Stoke Particle Simulator can use all native and 3rd party 3ds Max particles to advect new particles and produce higher-resolution simulations.
Stoke Fields can be used to control Particle Flow simulations via a dedicated Stoke Field Follow operator and can even trigger events using Selection Fields.
Stoke Fields can be converted to Forces and affect any 3ds Max sub-systems supporting Force SpaceWarps including native and 3rd party particle systems, MassFX, mCloth, Hair&Fur etc.
Stoke Fields can be converted to 3D procedural texture maps to integrate with all 3ds Max renderers that support the native 3ds Max materials (excluding mental ray and iRay which use their own independent shaders)
Stoke Fields can be rendered directly in all 3ds Max renderers that support the 3ds Max Atmospheric effects sub-system using a dedicated Stoke Atmospheric Effect. These renderers include Default Scanline and V-Ray. (mental ray and iRay are not supported due to their incompatible shading system)
etc…

Home Page – http://www.thinkboxsoftware.com/stoke-mx/

 

nitroflare-banner